Auto Italia, London, 20 January 2023 — 19 March 2023
Sitara Abuzar Ghaznawi
Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Sin City, 2023, Sitara Abuzar Ghaznawi. Auto Italia, London, UK. Courtesy the artist. Photographer: Henry Mills.⁠
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Auto Italia presents Sin City, the first UK solo exhibition by Sitara Abuzar Ghaznawi. This newly commissioned body of site-specific sculptures, drawings and collages continues Ghaznawi’s investigations into the classist and racialised structures of hegemonic Western aesthetics, and seeks to challenge dominant codes of institutional display and accepted ideas of craft and taste.

Sin City presents a series of small and large-scale assemblages that have been produced using collections of metallic foils, disposable plastics, polycotton fabrics and artificial flowers. These inexpensive goods and materials, commonly categorised as low-brow or tacky, are woven through robust, metal structures that resemble standardised forms of exhibition architecture and institutional design. By bringing these disparate materials together, Ghaznawi seeks to respond to complex geopolitical hierarchies embedded in material cultures, question established concepts of value and authenticity, and discuss the power dynamics inherent within taste-making.

Artificial roses recur frequently, significant as an emblem with emotional, political and romantic associations deeply embedded in Western politics and culture, as well as their derivative role as discardable tokens of sentiment. By contrasting the complex and contradictory cultural associations of these materials, the works highlight how value is disproportionately ascribed in global systems of production and consumption, both material and cultural.

Sin City draws on the negative associations regularly attached to throwaway materials, in order to challenge the parameters of craft within institutional spaces of display. By highlighting and bringing together heavily codified materials, the works explore institutional constructions of power in gallery and museum practice, and ask how forms of aesthetic value and legitimacy are produced and managed.

Sin City is commissioned and produced by Auto Italia, with support from Pro Helvetia and Swiss Culture Fund UK.

Auto Italia’s commissions are made possible by our Exhibition Circle and Member supporters.

Sitara Abuzar Ghaznawi (b. 1995, Afghanistan) is an artist currently living and working in Switzerland. Her work explores Western narratives of cultural homogenization and hierarchy, often employing mass produced materials in questioning value and class. Recent exhibitions include Hot Wheels Athens, Greece (2022); Galerie Maria Bernheim, Zürich (2021); Cordova, Barcelona, (2021); Swiss Institute, New York, (2020); Cabaret Voltaire, Zürich, (2020); Fri Art Kunsthalle, Fribourg, (2020); Kunsthalle Zürich, (2020); Museum in Bellpark, Kriens (2019); and Édouard Montassut, Paris (2019).

Preview: Sitara Abuzar Ghaznawi ‘Sin City’
19 Jan 2023, 18:00 — 20:00

Join us for the public preview of Sin City, a new exhibition of sculpture and drawings by Sitara Abuzar Ghaznawi.

Poetry Reading with Momtaza Mehri and Mira Mattar
18 Feb 2023, 14:00 — 15:00

Poetry reading with Momtaza Mehri and Mira Mattar in response to Sitara Abuzar Ghaznawi’s exhibition Sin City.

Momtaza Mehri’s poem ‘Recoverings’ written in response to Sitara Abuzar Ghaznawi’s works

Gvantsa Jgushia on Sitara Abuzar Ghaznawi’s architectural noir

Isey Scott on Sitara Abuzar Ghaznawi's exploration of power and aesthetics