KW Institute for Contemporary Art, Berlin, 14 February 2016 — 01 May 2016
niv Acosta, Auto Italia (Kate Cooper, Marianne Forrest, Andrew Kerton, and Jess Wiesner), Trisha Baga, Anna Barham, Eduardo Basualdo, Viktoria Binschtok, Gwenneth Boelens, Beth Collar, Hollis Frampton, Spiros Hadjidjanos, Andy Holden, Alex Israel, Philipp Lachenmann, Mark Leckey, Lawrence Lek, Ying Miao, Philippe Parreno, Elizabeth Price, Naufus Ramírez Figueroa, Emily Roysdon, Georgia Sagri, Prem Sahib, Nora Schultz, Katharina Sieverding, Reena Spaulings, Patrick Staff and Cara Tolmie, Philipp Timischl, Frances Stark and Martijn in 't Veld.
APP-NOSIS, 2013, Ying Miao, video still. Courtesy of the artist.

*In his terror of chaos, (man) begins by putting up an umbrella between himself and the everlasting chaos. Then he paints the underside of his umbrella like a firmament. Then he parades around, lives, and dies under his umbrella. Bequeathed to his descendants, the umbrella becomes a dome, a vault, and men at last begin to feel that something is wrong.* D.H. Lawrence

Departing from the traditional coordinates of the occidental world-view, the exhibition Secret Surface asks where –  and more importantly, how –  meaning may materialize.

Through our permanent reference to a “beyond” (be it the horizon, the universe, or the ultimate “beyond” death), an opositition is set up in which these depths are regarded as the ordinary’s other, which provide direction to our existence, and which implicitly devalue the surface. People and things are considered superficial if they lack complexity and intensity. Secret Surface turns this logic upside down, and presents contemporary artworks that conceive of the surface as the location of experience itself, both in terms of subjectivity and towards the outer world.

Sunrise Sunset
30 Apr 2016

A 12-hour rhythm of performance as part of the exhibition Secret Surface, which asks: where does meaning materialise?