Syria Mobile Phone Festival at Hailweed
This first independent screening of this year's Syria Mobile Film Festival in London on July 28th follows on from the Festival's participation in Auto Italia's exhibition programme Hailweed. The event will include a screening of '4th Floor' by Majd Al-Hamwi and Lawand Zaza, followed by a series of short films developed through the Festival's workshops and grants programmes.
Viewing Copy is an exhibition showing the work of Auto Italia for the first time in Cairo, presenting the collective practice of the organisation through re-considering two past projects; Auto Italia LIVE: Double Dip Concession and My Skin Is At War With A World Of Data.
'Interstices' installed at @documenta14 The film will be shown in the UK for first time @ Auto Italia, opens Oct 2nd. Image: @mthsvlzk
HFT The Gardener
Suzanne Treister's HFT The Gardener is a project comprising of multiple bodies of work by the fictional character Hillel Fischer Traumberg; extending Treister's fascination with esoteric translation, the cybernetics of consciousness, and the hallucinatory aesthetics that radiate from real-world circulations of power.
Recent Work by Artists
Recent Work by Artists is a collaborative project investigating how artists’ workspace might function today - taking the form of installation, image production, office design, events and a catalogue.
Shu Lea Cheang in conversation with Victoria Sin
Slow down. Challenge everything. Embrace this gentle…scrolling. A personal consultation, a new way of being and living. Meet Z.
Auto Italia Benefit Auction
Discover more about the organisation's first benefit auction, to mark the occasion of Auto Italia launching a permanent project space in London, featuring work from 29 leading artists: collaborators, directors and friends of the organisation. Proceeds will fund Auto Italia’s vital programmes championing emerging artistic talent.
POLYMYTH x Miss Information
POLYMYTH x Miss Information is a project bringing together a range of creative practitioners to explore the narratives and grammar enmeshed in the technologically accelerated now. Scripting realities and using speculation as a tool, the project seeks to create and illustrate contemporary myths in order to think upon the present, using Miss Information as both a character and a strategy.